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9	Fantastique,” Grand dictionnaire universel du XIX siècle. 15 vols. 2 supplements - Larousse
3	El pensamiento visual - ARNHEIM - 1998
2	Eléments et théorie de l’architecture - GUADET
2	El horror cristalizado - QUETGLAS - 2001
1	Representaciones analógicas en percepción y memoria: imágenes, transformaciones mentales y representaciones estructurales. http://www.psicothema.com/pdf/858.pdf (October 2009 - JIMÉNEZ, S - 1993
1	2001 [1963]. Una Historia del Dibujo en Ingeniería. Centro Asociado de la UNED, Jaén. A History of Engineering Drawing. Chattoo and Windus. Later published by Northgate - BOOKER - 1979
1	Historia de la matemática. Alianza editorial. Madrid. A History of Mathematics - BOYER - 1982
1	The educational side of engineering drawing”, The Engineering Design Graphics - FRENCH - 1976
1	Dibujo para ingeniería. Mexico, Interamericana. [1942] Technical drawing, including aeronautical drafting - GIESECKE - 1979
1	Espacio, visión y representación en el Dibujo y en la pintura del siglo XX. Servicio de Publicaciones Universidad - MORELL, V - 1988
1	Relaciones were more or less extended sets of questions derived from an institutional initiative, that took place mainly between 1530 and 1812 at the Indies, and between 1575 and 1578 at the Iberian peninsula. They were usually proposed by the Casa de Con - Both
1	the new great Spanish districts could not be defined without the support of the smaller indigenous territorial units. This older land division was essentially maintained during the creation process of the encomiendas, where each indigenous community was a - Nevertheless - 1986
1	the second half of the 16th century, the Spanish Crown needed to increase its funds through a new tax decree that allowed to regularize the situation of the mercedes. The new legal frame allowed the growth of large landed estates because lots of plots own - In - 1988
1	Evans said in a leading article about a drawing technique developed in England in the 18th century, “The architectural drawings concerns what might be called the architect’s field of vision. It enables certain things to be seen more clearly by hiding othe - Robin
1	El espacio en arquitectura, Ediciones Cátedra - VEN - 1981
1	La superficie desarrollada. Una indagación en la breve vida de una técnica de dibujo del siglo - EVANS - 2005
1	Complejidad y contradicción en la arquitectura, Gustavo Gili - VENTURI - 1972
1	La experiencia de la arquitectura, Librería Mairea and Celeste Ediciones - RASMUSSEN - 2000
1	Space and Anti-Space - PETERSON - 1980
1	The author refers to the neologism coined by Robert Venturi, who defined “open-poché” as “the residual space that is - Akal, Madrid
1	plan by Borromini (fig. 9), in this instance of Sant’Ivo’s church (Rome, 1643-60), invites a similar analysis. Like San Carlino’s, the shape of this church does not fit easily into the end of the Della Sapienza cloister. Borromini resorts to poché once ag - Finally
1	managed to reconcile the traditional French distribution, in which the main spatial concept was the room, with the new building technique of reinforced concrete able to cater for other more openplan spatial concepts. When looking, for example, at the plan - Perret
1	this study a standard method, the IHS transformation fusion, is performed, indicating the colour-distortion problem. We also carry out a multiresolution fusion technique which is wavelet based and solves the colour-distortion problem. Finally, we use a re - In - 1999
1	some respects, Perret’s career regressed for the ideal and the circumstantial dichotomy culminated in one of his first works: the building on Franklin street (Paris, 1903-04) (fig. 17)20. This building slotted into a cramped plot aspired, in fact, to be a - In