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An Overview of Electronic Music History

by Joseph Akins, Thomas Cahill, Thomas Cahill, The Telharmonium, Thomas Cahill Was Granted
"... The evolution of technology in the twentieth century had a huge impact on music. Holmes (2002) declared that music, as we know it today, would not exist without technology. In fact, a new music, called electronic music, evolved in the twentieth century parallel to this technological evolution. This ..."
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The evolution of technology in the twentieth century had a huge impact on music. Holmes (2002) declared that music, as we know it today, would not exist without technology. In fact, a new music, called electronic music, evolved in the twentieth century parallel to this technological evolution

The social construction of technological systems: new directions in the sociology and history of technology

by Technology W. E. Bijker, T. P. Hughes, T. J. Pinch , 1987
"... twentieth-century music 4(2): 209-227. Collins, N. and J. d'Escriván. 2007. The Cambridge Companion to Electronic Music. Cambridge: ..."
Abstract - Cited by 541 (4 self) - Add to MetaCart
twentieth-century music 4(2): 209-227. Collins, N. and J. d'Escriván. 2007. The Cambridge Companion to Electronic Music. Cambridge:

Data mining for electronic music distribution

by François Pachet, Gert Westermann, Damien Laigre - In Proceedings of WedelMusic , 2001
"... Music classification is a key ingredient for electronic music distribution. Because of the lack of standards in music classification – or the lack of enforcement of existing standards – there is a huge amount of unclassified titles of music in the world. In this paper we propose a method of classifi ..."
Abstract - Cited by 35 (3 self) - Add to MetaCart
Music classification is a key ingredient for electronic music distribution. Because of the lack of standards in music classification – or the lack of enforcement of existing standards – there is a huge amount of unclassified titles of music in the world. In this paper we propose a method

festival of electronic music and arts

by Noel Zahler Director, Doug Geers, Director February, Doug Geers Director, Noel Zahler Director, Zentrum Für, Kunst Und, Richard Devine
"... equal opportunity educator and employer. The fifth annual Spark festival takes place in the University of Minnesota’s ..."
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equal opportunity educator and employer. The fifth annual Spark festival takes place in the University of Minnesota’s

SYMPHONIC ELECTRONIC MUSIC: SOCIAL ASPECTS

by Социальные Аспекты, А. С. Энфи, Арт-гуманитарный Центр, Г. Москва, A. Enfi
"... Summary. In the article «Sympho-electronic music as deep-essential psychotherapy's tool of art-humanitarian practice » we provide definitions and characteristics of the new musicological concepts: «sympho-electronic music » (SEM), and show many benefits of using this music in depth-essential ps ..."
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Summary. In the article «Sympho-electronic music as deep-essential psychotherapy's tool of art-humanitarian practice » we provide definitions and characteristics of the new musicological concepts: «sympho-electronic music » (SEM), and show many benefits of using this music in depth

The Stranglophone: Enhancing Expressiveness in Live Electronic Music

by Michael Eyal Sharon , 2004
"... This paper describes the design and on-going development of an expressive gestural MIDI interface and how this could enhance live performance of electronic music. ..."
Abstract - Cited by 2 (0 self) - Add to MetaCart
This paper describes the design and on-going development of an expressive gestural MIDI interface and how this could enhance live performance of electronic music.

Beat Boxing: Expressive Control for Electronic Music

by Performance And Musical, Robert Lugo - Proc. of the 2005 Int. Conf. on New Interfaces for Musical Expression , 2005
"... This paper describes the design and implementation of Beat Boxing, a percussive gestural interface for the live performance of electronic music and control of computerbased games and musical activities. ..."
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This paper describes the design and implementation of Beat Boxing, a percussive gestural interface for the live performance of electronic music and control of computerbased games and musical activities.

A SURVEY OF REALTIME INTERFACES FOR ELECTRONIC MUSIC PERFORMANCE

by Dr. Garth Paine, Dr. Jon Drummond
"... The TIEM (Taxonomy of Realtime Interfaces for Electronic Music Performance) online survey, examines the practice and application of new interfaces for real-time electronic music performance. This project seeks to develop a theoretical base for new interfaces for electronic music performance. In this ..."
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The TIEM (Taxonomy of Realtime Interfaces for Electronic Music Performance) online survey, examines the practice and application of new interfaces for real-time electronic music performance. This project seeks to develop a theoretical base for new interfaces for electronic music performance

GOLDSMITHS ELECTRONIC MUSIC STUDIOS: 40 YEARS

by unknown authors
"... This year marks the 40th anniversary of the founding of the Electronic Music Studios (EMS) at Goldsmiths, University of London. The 1968 studio placed Goldsmiths at the forefront of such developments in the UK university sector. 2008 also marks the launch of our EMS Research Group, which brings toge ..."
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This year marks the 40th anniversary of the founding of the Electronic Music Studios (EMS) at Goldsmiths, University of London. The 1968 studio placed Goldsmiths at the forefront of such developments in the UK university sector. 2008 also marks the launch of our EMS Research Group, which brings

The Program in Electronic Music Composition and Musical Production at the School of the Arts of the Polytechnic Institute

by Of Castelo Branco, Carlos Guedes, Rui Dias
"... Abstract — This paper presents the program in electronic music composition and musical production at the School of the Arts of the Polytechnic Institute of Castelo Branco ..."
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Abstract — This paper presents the program in electronic music composition and musical production at the School of the Arts of the Polytechnic Institute of Castelo Branco
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