Abstract not found

This thesis considers the form and function of the visual communication of historical information in computer-based media. By applying new techniques derived from traditional graphic design and cinema, such as infinite zoom, translucency, and animation, the traditional timeline is transformed into a dynamic, three-dimensional framework for the interactive presentation of historical information. I argue that current static and non-interactive presentation limit the ability of the designer to visualize complex historical information. Dynamic, interactive design solutions address the communicative goals of allowing seamless micro and macro readings of information at several levels of detail and from multiple points of view. Experimental software for visualizing the history of photography was created to examine and compare various visualization techniques. Selected examples from the system illustrate advantages and disadvantages of various methods of dynamic visualization and interaction....