How does the visual system generate percepts of moving forms? How does this happen when the forms are emergent percepts, such as illusory contours or segregated textures, and the motion percept is apparent motion between the emergent forms? We develop a neural model of form-motion interactions to explain and simulate parametric properties of psychophysical motion data and to make predictions about how the parallel cortical processing streams V1 ! MT and V1 ! V2 ! MT control form-motion interactions. The model explains how an illusory contour can move in apparent motion to another illusory contour or to a luminance-derived contour; how illusory contour persistence relates to the upper ISI threshold for apparent motion; and how upper and lower ISI thresholds for seeing apparent motion between two flashes decrease with stimulus duration and narrow with spatial separation (Korte's laws). The model accounts for these data by suggesting how the persistence of a boundary segmentation in the V...

This article develops the FACADE theory of 3-dimensional (3-D) vision and figure-ground separation to explain data concerning how 2-dimensional pictures give rise to 3-D percepts of occluding and occluded objects. The model describes how geometrical and contrastive properties of a picture can either cooperate or compete when fonning the boundaries and surface representations that subserve conscious percepts. Spatially long-range cooperation and spatially short-range competition work together to separate the boundaries of occluding figures from their occluded neighbors. This boundary ownership process is sensitive to image T junctions at which occluded figures contact occluding figures. These boundaries control the filling-in of color within multiple depth-sensitive surface representations. Feedback between surface and boundary representations strengthens consistent boundaries while inhibiting inconsistent ones. Both the boundary and the surface representations of occluded objects may be amodally completed, while the surface representations of unoccluded objects become visible through modal completion. Functional roles for conscious modal and amodal representations in object recognition, spatial attention, and reaching behaviors are discussed. Model interactions are interpreted in tenns of visual, temporal, and parietal cortices. The human urge to represent the three-dimensional (3-D)

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The percepts known variously as the line motion illusion, motion induction, and transformational apparent motion have attracted a great deal of experimental interest, since they sensitively probe interactions between preattentive and attentive vision processes. The present article develops a neural model that qualitatively explains essentially all the data reported thus far, and quantitatively simulates key illustrative percepts. The model suggests how these data arise from neural mechanisms of preattentive boundary and surface formation, long-range apparent motion, formmotion interactions, and spatial attention. The boundary and surface formation processes model aspects of the interblob V1 ! interstripe V2 ! V4 and blob V1 ! thin stripe V2 ! V4 cortical processing streams, respectively. The long-range apparent motion process models aspects of the V1 ! MT ! MST processing stream. An interstream V2 ! MT form-motion interaction is proposed to allow the motion processing stream to track ...

A neural model of motion perception simulates psychophysical data concerning first-order and second-order motion stimuli, including the reversal of perceived motion direction with distance from the stimulus (\Gamma display), and data about directional judgments as a function of relative spatial phase or spatial and temporal frequency. Many other second-order motion percepts that have been ascribed to a second non-Fourier processing stream can also be explained in the model by interactions between ON and OFF cells within a single, neurobiologically interpreted magnocellular processing stream. Yet other percepts may be traced to interactions between form and motion processing streams, rather than to processing within multiple motion processing streams. The model hereby explains why monkeys with lesions of of the parvocellular layers, but not the magnocellular layers, of the lateral geniculate nucleus (LGN) are capable of detecting the correct direction of second-order motion, why most ce...

A detailed neural model is presented of how the laminar circuits of visual cortical areas V1 and V2 implement context-sensitive binding processes such as perceptual grouping and attention. The model proposes how specific laminar circuits allow the responses of visual cortical neurons to be determined not only by the stimuli within their classical receptive fields, but also to be strongly influenced by stimuli in the extra-classical surround. This context-sensitive visual processing can greatly enhance the analysis of visual scenes, especially those containing targets that are low contrast, partially occluded, or crowded by distractors. We show how interactions of feedforward, feedback and horizontal circuitry can implement several types of contextual processing simultaneously, using shared laminar circuits. In particular, we present computer simulations which suggest how top-down attention and preattentive perceptual grouping, two processes that are fundamental for visual binding, can interact, with attentional enhancement selectively propagating along groupings of both real and illusory contours, thereby showing how attention can selectively enhance object representations. These simulations also illustrate how attention may have a stronger facilitatory

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This chapter summarizes a neural model of how humans use pitch-based information to separate and attentively track multiple voices or instruments in distinct auditory streams, as in the cocktail party problem. The model incorporates concepts of top-down matching, attention, and resonance that have been used to analyse how humans can autonomously learn and stably remember large amounts of information in response to a rapidly changing environment. These Adaptive Resonance Theory, or ART, concepts are joined to a Spatial PItch NETwork, or SPINET, model to form an ARTSTREAM model for pitch-based streaming. The ARTSTREAM model suggests that a resonance between spectral and pitch representations is necessary for a conscious auditory percept to occur. Examples from auditory perception in noise and context-sensitive speech perception are discussed, such as the auditory continuity illusion and phonemic restoration. The Gjerdingen analysis of apparent motion in music is shown to have a natural e...

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