Interactive story creation for knowledge acquisition

We list and analyse the terms used in referring to the people to whom the interactive storytelling systems are intended. Although the most common term in the literature is ‘user’, we try to find alternatives by studying the terminology of other art forms and technologies. We also propose

dialogue in interactive story telling. That is, instead of writing a script for every possible sequence of events, we would like to develop an approach in which story characters have more autonomy in deciding what to say when. We describe our current research on applying dialogue games theory

their interaction with multiple target proteins, they ensure coordinated control of other cellular activities such as gene transcription and adhesion. The story begins back in the early 1990s with the analysis of Rho, then a newly described member of the Ras superfamily of small guanosine triphosphatases (GTPases

Interactive story writing is a new medium for creative expression. The story “writer ” uses a computer game (such as BioWare’s Neverwinter Nights) to create an interactive story where the “reader ” is an active participant. The state of the art is that the story (plot, character behaviors

fifth annual cycle at the end of 2005 and in 2006 TRECVid will involve almost 70 research organizations, universities and other consortia. Throughout its existence, TRECVid has benchmarked both interactive and automatic/manual searching for shots from within a video corpus, automatic detection of a

Abstract—This paper proposes an agent system that semi-automatically creates stories about daily events detected by ubiquitous sensors. These stories are knowledge of inhabitants’ daily lives and it may be useful for human-friendly agent. Story flows in daily lives are extracted from interaction

This paper presents an integrated framework for new media production in which particular presentations in a variety of forms may be authored and generated using a range of tools interacting with a distributed media repository. The A4SM project demonstrates a number of elements of this overall

This paper describes how the device of the chorus was used in plays from ancient Greece and posits ways in which these uses may translate as bases for interactions with computer-based stories. In ancient Greek theater, the chorus mediated between the audience and the action. Now, chorus members can

One of the most important parts of a story is its ending. This is the point in which all open questions and conflicts in the narrative must be resolved. This paper presents a dynamic resolution method for interactive stories. The type of stories we support allows the user to participate as one