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Table 3: Overview of static and dynamic parameters for the fault-free, analogue and digital fault ADC.
Table 1. The full set of permutations on the taxonomy. The 9 labelled columns represent the properties of analogueness and arbitrariness and their opposites, static and dynamic, and graphics, sound and touch. The 12 rows in dark shading are necessarily empty, except for the problem of touch. Rows a-f are empty because analogue representations cannot be arbitrary. Rows h-j, n-o and t-u are empty because of the dynamic character of sound and touch representations (see text, however). The table shows how the remaining 12 rows contain all the (21) pure generic modalities. / between two numbered modalities indicates that the difference between them is based on prototypes. Numbered modalities in boldface are linguistic modalities.
1993
"... In PAGE 3: ... In a first cut at this problem, we have identified a limited number (21 in fact) of pure generic modalities drawn from three different media of expression. Table1 shows the taxonomy of pure generic modalities drawn from (Bernsen 1993a). The duplication of touch modalities in the table reflects a so far unsolved problem about the static/dynamic character of touch.... ..."
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Table 1 Pharmacokinetics of Available Insulin Products (Daugherty (2004)).
"... In PAGE 2: ... (2000)). Table1 lists part of currently available insulin analogue products for clinical uses. To understand the dynamics of the insulin analogues from the subcutaneous injection to the absorption, based on above chemical reactions, several math- ematical models have been proposed (Berger and Rodbard (1989), Kraegen et al.... ..."
Table 7. Prediction error (MAD [%]) of analogues complexing
1997
"... In PAGE 27: ....3. Prediction of characteristics of stock market by analogues complexing On the base of observations in the period of February 22 to May 30, 1995 (66 days) the analogue complexing algorithm was used. Table7 shows prediction error (MAD [%]) of four variables (Dollar, Dax, F.... ..."
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Table 5. The atomic level unimodal analogue modalities.
"... In PAGE 19: ...3.2 Analogue Atomic Modalities The analogue atomic modalities ( Table5 ) are generated without any pragmatic modality fusion or reduction. The generation is based on the concept of diagram and the distinction between (a) images, (b) maps, (c) compositional diagrams, (d) graphs and (e) conceptual diagrams.... ..."
Table 5. The atomic level unimodal analogue modalities.
in NIELS OLE BERNSEN MULTIMODALITY IN LANGUAGE AND SPEECH SYSTEMS- FROM THEORY TO DESIGN SUPPORT TOOL
"... In PAGE 19: ....3.2. Analogue Atomic Modalities The analogue atomic modalities ( Table5 ) are generated without any pragmatic modality fusion or reduction. The generation is based on the concept of diagram and the distinction between (a) images, (b) maps, (c) compositional diagrams, (d) graphs and (e) conceptual diagrams.... ..."
Table 5. The atomic level unimodal analogue modalities.
in NIELS OLE BERNSEN MULTIMODALITY IN LANGUAGE AND SPEECH SYSTEMS- FROM THEORY TO DESIGN SUPPORT TOOL
"... In PAGE 19: ...3.2 Analogue Atomic Modalities The analogue atomic modalities ( Table5 ) are generated without any pragmatic modality fusion or reduction. The generation is based on the concept of diagram and the distinction between (a) images, (b) maps, (c) compositional diagrams, (d) graphs and (e) conceptual diagrams.... ..."
Table 1. Historical armor types and their natural analogues
"... In PAGE 6: ... The state of the art in this area, including the direction of current research, is discussed in [6]. 4 Evolution of Body Armor While there are countless styles of ancient post-neolithic armor, there are seven major types of body armor, as listed in Table1 . This table summarizes historical armor types and shows a natural analogue.... ..."
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Table 1 : Probabilistic Sensitivities and Their Deterministic Analogues
1999
"... In PAGE 3: ... To summarize, the main innovation in a probabilistic approach is that a probabilistic sensitivity is formulated in terms of a change in probability of meeting the target over change in an FoM or probability of meeting another target. Examples of typical probabilistic sensitivities and their deterministic analogues are given in Table1 . The left column gives the change of confidence in meeting a target per unit change in FoM, while the right column gives the deterministic analogue sensitivity in terms of the value of one FoM relative to another.... ..."
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Table 1. Except for the rows containing modalities 9 to 20, each row contains one single pure generic modality. To distinguish between the four triplets of analogue modalities 9 to 20, two more distinctions are needed. One is between real-world representations and diagrammatic representations. Both are analogue but, prototypically, diagrammatic representations manipulate the representation of what is represented in various ways (e.g., abstracting from irrelevant detail or reducing
1993
"... In PAGE 5: ... Sound structures x x x x x 28. Touch structures x x x x x modality li -li an -an ar -ar sta dyn gra sou tou Table1 . A taxonomy of pure generic modalities.... In PAGE 5: ... Graphs manipulate the representation in specific ways (see below). Creating the taxonomy of Table1 from permutations on basic properties has been a generative exercise for the author who never before thought about dynamic hieroglyphs (2), animated arbitrary diagrams (22) or explicit sound structures (27), the two latter of which turn out to be in actual interface use. Even an intuitively familiar, exclusive and exhaustive taxonomy of modalities is of limited value unless accompanied by relevant analyses of the basic features whose presence or absence in a given modality strongly influence its capacity for representing information.... In PAGE 6: ... Arbitrary representations are selected by designers and others to represent something without relying on an already existing system of meaning whereas non-arbitrary representations rely on an already existing system of meaning (cf. Table1 ). Arbitrary representations imply an extra cognitive load on recipients who must learn the new representational conventions.... ..."
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