concepts are connected. In particular, certain distributions of directional statistics have emerged in shape analysis, such a distribution is Complex Bingham Distribution. This paper first gives some background to shape analysis and then it goes on to directional distributions and their applications

of a special member of this class, the photo hull, that (1) can be computed directly from photographs of the scene, and (2) subsumes all other members of this class. We then give a provably-correct algorithm, called Space Carving, for computing this shape and present experimental results on complex

-comes some of their limitations. Our techniques can be applied to model arbitrarily complex shapes, which include shapes with significant protrusions, and to situations where no a priori assumption about the object’s topology is made. A single instance of our model, when presented with an image having more

Abstract. Wind load on complex-shape building, the wind tunnel test and numerical simulation were carried out. The two technologies supplement each other and their results meet well. There are mainly positive pressures on the windward surface, negative pressures on the roof, the leeward surface

with submicron accuracy

Verification of a three axis milling machine accuracy in the process of

In computer graphics and geometric modeling, shapes are often represented by triangular meshes. With the advent of laser scanning systems, meshes of extreme complexity are rapidly becoming commonplace. Such meshes are notoriously expensive to store, transmit, render, and are awkward to edit

A general nonparametric technique is proposed for the analysis of a complex multimodal feature space and to delineate arbitrarily shaped clusters in it. The basic computational module of the technique is an old pattern recognition procedure, the mean shift. We prove for discrete data

This paper discusses a new method for capturing the complete appearanceof both synthetic and real world objects and scenes, representing this information, and then using this representation to render images of the object from new camera positions. Unlike the shape capture process traditionally used

When I first became interested in in-depth case-study research, I was trying to understand how power and rationality shape each other and form the urban environments in which we live (Flyvbjerg, 1998). It was clear to me that in order to understand a complex issue like this, in-depth case