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Abstract: To participate in musical improvisations, an interacting system must both generate appropriate musical materials and express those materials appropriately in collaboration with other performers. We have used results from the study of conversation and discourse to identify the major components for a theory of improvisation---listening, composing, and realizing. Our goal is a framework based on a model of musical improvisation as conversation that incorporates signal level as well as event level... (Update)
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BibTeX entry: (Update)
Walker, W., Hebel, K., Martirano, S., Scaletti, C. (1992). ImprovisationBuilder: improvisation as conversation, Proc. of ICMC , 1992. http://citeseer.ist.psu.edu/walker92improvisationbuilder.html More
@inproceedings{ walker92improvisationbuilder,
author = "W. Walker and K. Hebel and S. Martirano and C. Scaletti",
title = "{ImprovisationBuilder}: Improvisation as Conversation",
booktitle = "Proceedings of the 16th International Computer Music Conference, San Jose ({CA}), {USA}",
pages = "190--193",
year = "1992",
url = "citeseer.ist.psu.edu/walker92improvisationbuilder.html" }
Citations (may not include all citations):7 The Kyma/Platypus Computer Music Workstation (context) - Scaletti - 1991
5 Kyma: An Object-oriented Language for Music Composition (context) - Scaletti - 1987
3 Jazz Text: Voice and Improvisation in Poetry (context) - Hartmann - 1991
2 An Electronic Music Instrument which combines the Composing .. (context) - Martirano - 1971
2 Machine Listening and Composing with Cypher (context) - Rowe - 1992
2 Hardware design of a real-time musical system (context) - Franco - 1974
2 The Continuum: a continuous music keyboard (context) - Haken, Abdullah et al. - 1992
1 A Framework for Developing Signal Processing and Synthesis A.. (context) - Hebel - 1991
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