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Abstract: In analyzing abstract data sets, it is useful to represent them in several alternative formats, each format bringing out different aspects of the data. While most work in data mapping has focused on visual representations, we have found that sonic representations can also be effective aids in interpreting complex data, especially when sonification is used in conjunction with visualization. We have developed prototypes for several high-level sonification tools that can be applied to a wide... (Update)
Context of citations to this paper: More
...focus when moving from the front of the scene to the back. It only uses one sense, the sense of sight. As experiments show (e.g. [SCALETTI91]) there is much to be gained by reinforcing one sense s intake of information by simultaneously presenting it to another. Many of...
...one can also use senses other than our visual sense to express data values. Smith et al. [Smith et al. 90] and Scaletti and Craig [Scaletti Craig 91] use sound as an additional visual cue. 7.3 Line graphs Line graphs are used to display continuous information and are...
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Spatial Audio in Graphical Applications - Mulder (Correct)
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0.4: Data Sonification and Sound Visualization - Kaper, Wiebel (Correct)
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BibTeX entry: (Update)
Scaletti, C., and Craig, A. B. Using Sound to Extract Meaning from Complex Data. In Proceedings of the SPIE, Conference 1459, Extracting Meaning from Complex Data: Processing, Display, Interaction II (San Jose, CA, 1991). http://citeseer.ist.psu.edu/scaletti91using.html More
@misc{ scaletti91using,
author = "C. Scaletti and A. Craig",
title = "Using Sound to Extract Meaning from Complex Data",
text = "Scaletti, C., and Craig, A. B. Using Sound to Extract Meaning from Complex
Data. In Proceedings of the SPIE, Conference 1459, Extracting Meaning from
Complex Data: Processing, Display, Interaction II (San Jose, CA, 1991).",
year = "1991",
url = "citeseer.ist.psu.edu/scaletti91using.html" }
Citations (may not include all citations):492 Smalltalk-80: the language and its implementation (context) - Goldberg, Robson - 1983
96 Earcons and icons: Their structure and common design princip.. (context) - Blattner, Sumikawa et al. - 1989
64 The SonicFinder: an interface that uses auditory icons (context) - Gaver - 1989
50 Mechanisms of analogical learning (context) - Gentner
50 Mechanisms of analogical learning (context) - Gentner - 1989
29 The Technology of Computer Music (context) - Mathews - 1969
18 Stereophonic and surface sound generation for exploratory da.. (context) - Smith - 1985
11 Soundtrack: an auditory interface for blind users (context) - Edwards - 1989
10 Presenting information in sound (context) - Bly - 1985
7 The Kyma/Platypus Computer Music Workstation (context) - Scaletti - 1989
7 Realtime Digital Synthesis of Virtual Acoustic Environments (context) - Wenzel, Foster - 1990
7 Programming languages for computer music synthesis, performa.. (context) - Loy, Abbott - 1985
6 Dynamic representation of multivariate time series data (context) - Mezrich, Frysinger et al. - 1984
6 Enhancing scientific animations with sonic maps (context) - Evans - 1989
5 Kyma: an object-oriented language for music composition (context) - Scaletti - 1987
4 Communicating with sound (context) - Bly - 1982
4 A System for Three-Dimensional Acoustic `Visualization' in a.. (context) - Wenzel, Fisher et al. - 1990
3 An interactive graphic environment for object-oriented music.. (context) - Scaletti, Johnson - 1988
2 Human perception and visualization (context) - Reuter - 1990
1 Kyma: an interactive graphic environment for object-oriented.. (context) - Scaletti - 1989
1 Semiotics from Peirce to Barthes: a conceptual introduction .. (context) - Tejera - 1988
1 Composing Sound Objects in Kyma (context) - Scaletti - 1989
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