Walker, W., K. Hebel, S. Martirano, and C. Scaletti. ImprovisationBuilder: Improvisation as Conversation in Proceedings of the International Computer Music Conference (San Jose, 1992), ICMA, 190--193. Home/Search Document Details and Download
Summary Related Articles Check |
This paper is cited in the following contexts:
The MusES system: an environment for experimenting with knowledge .. - Pachet (2 citations) (Correct)
.... Within AI, ObjectOriented Programming (OOP) has traditionally been a favorite paradigm to build complex musical systems, especially oriented towards synthesis, from the Formes system (Cointe Rodet 1991) to MODE (Pope 1991) Kyma system (Scaletti 1987) and more recently ImprovisationBuilder (Walker al. 1992). Of course, objectoriented programming has been and is used for almost any kind of complex software. However, there is hardly any mention in the literature of attempts to use specifically OOP techniques to implement analysis systems in tonal music. Therefore our endeavor to develop ....
....are strongly connected with the representation of chords, and involve very specific representations that are irrelevant for simple monophonic The MusES system, F. Pachet 5 melodies. A trivial connection to MIDI has been realized, using Bill Walker s Midi Smalltalk primitives for the Macintosh (Walker al. 1992). Since this is not our priority, only basic (but useful enough) play functions have been implemented, and no sophisticated recording (and hence quantization) is realized in the current version. 4.1. Graphical Editors for melodies Graphical score editors are not only useful for our purposes. They ....
Walker, W., Hebel, K., Martirano, S., Scaletti, C. (1992). ImprovisationBuilder: improvisation as conversation, Proc. of ICMC , 1992.
A Computer Participant in Musical Improvisation - Walker (1997) (4 citations) Self-citation (Walker) (Correct)
....the MiBaC Jazz software [5] Some research efforts have concentrated on using grammars and rule bases to model improvised output [7, 14, 18, 23] These systems generate accompaniments in batch mode according to initial input. ImprovisationBuilder, a Smalltalk 80 framework for interactive music [24, 25], distinguishes itself by its representation of the improvisational structure and its ability to adjust to the human performer s changing roles during performance. Jazz Performance Conventions The performance of a particular piece begins with the performers having determined only which song they ....
Walker, W., K. Hebel, S. Martirano, and C. Scaletti. ImprovisationBuilder: Improvisation as Conversation in Proceedings of the International Computer Music Conference (San Jose, 1992), ICMA, 190--193.
Online articles have much greater impact More about CiteSeer.IST Add search form to your site Submit documents Feedback
CiteSeer.IST - Copyright Penn State and NEC