Scaletti, C. (1987). Kyma: An Object-oriented Language for Music Composition. in Proceedings of the International Computer Music Conference. International Computer Music Association, San Francisco.  Home/Search   Document Not in Database   Summary   Related Articles   Check

.... interacting concurrent musical processes (Cointe Rodet 1991) the MODE system, a environment for the development of tools for musical score, sound processing and performance (Pope 1991) the Kyma system, a graphic environment dedicated to digital audio processing and computer aided composition (Scaletti 1987), and more recently Improvisation Builder, a framework for simulating jazz improvisation, seen as a particular kind of communication between agents (Walker et al. 1992) Following this movement, we are deeply convinced that the structures and mechanisms of object oriented programming are ....

Scaletti, C. (1987). Kyma: An Object-oriented Language for Music Composition. in Proceedings of the International Computer Music Conference. International Computer Music Association, San Francisco.

....and stop times. Kyma is a sound specification language that does not distinguish between signal level and event level processing or between the concepts of orchestra and score; these models are supplanted by arbitrary hierarchical structures constructed by the composer out of uniform Sound objects[48, 49]. Kyma Sounds are synthesized in real time by the Capybara, a digital signal multiprocessor. A Macintosh driver for controlling the Capybara enables any application to play a Kyma Sound and to control its parameters in real time. The goal of the Timbre hierarchy is to present a common protocol ....

Scaletti, C. Kyma: An Object-oriented Language for Music Composition. in International Computer Music Conference. 1987. International Computer Music Association.

....a favorite domain for researchers in Artificial Intelligence. Within AI, ObjectOriented Programming (OOP) has traditionally been a favorite paradigm to build complex musical systems, especially oriented towards synthesis, from the Formes system (Cointe Rodet 1991) to MODE (Pope 1991) Kyma system (Scaletti 1987)) and more recently ImprovisationBuilder (Walker al. 1992) Of course, objectoriented programming has been and is used for almost any kind of complex software. However, there is hardly any mention in the literature of attempts to use specifically OOP techniques to implement analysis ....

Scaletti, C. (1987). Kyma: An Object-oriented Language for Music Composition. in Proceedings of the International Computer Music Conference. International Computer Music Association, San Francisco.

.... Kyma System Kyma is a sound specification language that does not distinguish between signal level and event level processing or between the concepts of orchestra and score; these models are supplanted by arbitrary hierarchical structures constructed by the composer out of uniform Sound objects (Scaletti 1987, 1991) Kyma Sounds are generated in real time by the Capybara, a digital signal multiprocessor. A Macintosh driver for controlling the Capybara enables any program to play a Kyma Sound and to control its parameters in real time. 2.3. Improvisation as Conversation While computers that converse ....

C. Scaletti. "Kyma: An Object-oriented Language for Music Composition." in Proceedings of the International Computer Music Conference. San Francisco: International Computer Music Association, 1987.

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C. A. Scaletti, "Kyma: an object-oriented language for music composition," Proceedings of the 1987 International Computer Music Conference, pp. 49-56, Computer Music Association, 1987.

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