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E. Pampalk, S. Dixon, and G. Widmer. On the evaluation of perceptual similarity measures for music. In Proc. Intl. Conf. on Digital Audio E#ects, pages 6--12, 2003.

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This paper is cited in the following contexts:
An Explorative, Hierarchical User Interface to Structured Music.. - Schedl (2003)   Self-citation (Widmer)   (Correct)

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E. Pampalk, S. Dixon, and G. Widmer. On the Evaluation of Perceptual Similarity Measures for Music. In Proceedings of the 6th International Conference on Digital Audio Effects (DAFx'03), volume 8, London, UK, September 2003.


Understandable Models Of Music Collections Based On - Exhaustive Feature Generation   (Correct)

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E. Pampalk, S. Dixon, and G. Widmer. On the evaluation of perceptual similarity measures for music. In Proc. Intl. Conf. on Digital Audio E#ects, pages 6--12, 2003.


Content-Based Organization of Digital Audio Collections - Neumayer, Lidy, Rauber (2005)   (Correct)

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E. Pampalk, S. Dixon, and G. Widmer. On the evaluation of perceptual similarity measures for music. In Proceedings of the International Conference on Digital Audio Effects (DAFx-03), pages 7--12, London, UK, September 8-11 2003.


Evaluation of Feature Extractors and Psycho-Acoustic.. - Lidy, Rauber   (Correct)

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E. Pampalk, S. Dixon, and G. Widmer. On the evaluation of perceptual similarity measures for music. In Proceedings of the International Conference on Digital Audio Effects (DAFx-03), pages 7--12, London, UK, September 8-11 2003.


Evaluation of Feature Extractors and Psycho-Acoustic.. - Lidy, Rauber   (Correct)

No context found.

E. Pampalk, S. Dixon, and G. Widmer. On the evaluation of perceptual similarity measures for music. In Proceedings of the International Conference on Digital Audio Effects (DAFx-03), pages 7--12, London, UK, September 8-11 2003.


Improving Timbre Similarity: How high's the sky? - Aucouturier, Pachet   (Correct)

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E. Pampalk, S. Dixon, and G. Widmer. On the evaluation of perceptual similarity measures for music. In Proceedings of the Sixth International Conference on Digital Audio E#ects DAFX, London (UK), September 2003.

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