S. Serafin, C. Wilkerson, and J. O. Smith. Modeling Bowl Resonators Using Circular Waveguide Networks. In Proceedings of the COST G-6 Conference on Digital Audio E#ects (DAFX-02), Hamburg, Germany, 2002. Home/Search Document Details and Download
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HyperPuja: A Tibetan Singing Bowl Controller - Young, Essl (2003) (1 citation) (Correct)
....maintaining the characteristics of the physical interaction of the original instrument. 1. INTRODUCTION In this paper we describe a new controller based on an instrument called the Tibetan singing bowl. These bowls have received increased attention in the Computer Music community in recent years [22, 15, 8, 23, 17, 3, 18, 19] for their intriguingsound and performance style. Tibetan singing bowls are metallic or glass bowls in shapes varying from that of a spherical segment to an almost cylindrical shape. The bowls can be made to ring by striking. Thesound of a bowl when struck is related to bell sounds [13] The ....
....Knapp [19] The technology was used intwoways: The first wasused to electronically augment the original sound through the control of the measured gestures. The second does not use original sound, but rather the gestures create independent sound articulations. Carr Wilkerson and co workers [22, 23, 17] used the Mutha Rubboard Controller to play physical models of the Tibetan singing bowl. The Mutha Rubboard Controller is a controller motivated by washboard playing as present in Zydeco music. A capacitive sensing technique was used to determine the position of the key. This was used as a contact ....
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S. Serafin, C. Wilkerson, and J. O. Smith. Modeling Bowl Resonators Using Circular Waveguide Networks. In Proceedings of the 5th International Conference on Digital Audio E#ects (DAFx-02),pages 117--121, Hamburg, Germany, September 26-28 2002.
Toward a Generalized Friction Controller: From the Bowed.. - Serafin, Young (2004) Self-citation (Serafin) (Correct)
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S. Serafin, C. Wilkerson, and J. O. Smith. Modeling Bowl Resonators Using Circular Waveguide Networks. In Proceedings of the COST G-6 Conference on Digital Audio E#ects (DAFX-02), Hamburg, Germany, 2002.
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