| P. Cano, E. Batlle, T. Kalker, and J. Haitsma. A review of algorithms for audio fingerprinting. In Workshop on Multimedia Signal Processing, 2002. |
....score or the MIDI transcription, but they extract model based parameters (see 2.2) to describe sound in an abstract, that is not musical, way. They are usually used for search, retrieval and identification purposes. In this group of approaches, description is connected to identification (see [25, 26] for a general introduction to audio recognition techniques) If we think of sharing descriptions and communicating between applications and systems, it is necessary to define a common melody description scheme. This scheme ought to be valid for any application in any usage situation, which is a ....
P. Cano, E. Batlle, T. Kalker, and J. Haitsma. A review of algorithms for audio fingerprinting. In International Workshop on Multimedia Signal Processing, US Virgin Islands, December 2002. http://www.iua.upf.es/mtg.
No context found.
P. Cano, E. Batlle, T. Kalker, and J. Haitsma. A review of algorithms for audio fingerprinting. In Workshop on Multimedia Signal Processing, 2002.
No context found.
P. Cano, E. Batlle, T. Kalker, and J. Haitsma. A review of algorithms for audio fingerprinting. In Workshop on Multimedia Signal Processing, 2002.
No context found.
P. Cano, E. Batlle, T. Kalker, and J. Haitsma, "A review of algorithms for audio fingerprinting," in Proc. IEEE Workshop on Multimedia Signal Processing, 2002, pp. 169--173.
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