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A. Xu, W. Woszczyk, Z. Settel, B. Pennycook, R. Rowe, P. Galenter, J. Bary, M. Geoff, J. Corey and J. Cooperstock. Real-Time Streaming of Multichannel Audio Data over Internet. 47[11]. 2000. Proceedings 108th Convention of the Audio Engineering Society.

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The Classroom of the Future: Enhancing Education through.. - Cooperstock (2001)   (1 citation)  Self-citation (Cooperstock)   (Correct)

.... physically distributed users the sensory experience of being in the same space (see Figure 6) A key aspect to allowing for an engaging remote lecture is the use of high fidelity and low latency communication of audio and video information, complemented by multichannel, spatialized audio [4], allowing the instructor to capitalize on audio localization abilities for effective interaction with the students. Echo cancellation, a constant source of headaches for the videoconference technician, becomes an even greater challenge in this context. ACKNOWLEDGEMENTS The author would like ....

Xu, A., Woszczyk, W., Settel, Z., Pennycook, B., Rowe, R., Galanter, P., Bary, J., Martin, G., Corey, J., and Cooperstock, J.R. (2000) "RealTime Streaming of Multichannel Audio Data over Internet." Journal of the Audio Engineering Society, July-August.


IEEE International Conference on Web Delivering of Music.. - The Recording Studio   Self-citation (Cooperstock)   (Correct)

....of new, high speed networks comes the potential for high fidelity, multi channel audio distribution. Our work in this area began in 1999, in cooperation with the Audio Engineering Society s Technical Committee for Networked Audio Systems (TCNAS) and Dolby Laboraties, when we developed protocols [9] for reliable real time streaming of AC 3 (encoded Dolby 5.1) audio streams at 448 kbps [1] transported over a 1.5 Mbps AES EBU carrier. The technology was first demonstrated at the AES 107 Convention in New York, where a concert taking place at McGill University s Redpath Hall was streamed ....

.... the QDX perceptual codec from QDesign, which are designed with continuous adaptation of the bit rate specifically in mind [Beaton, personal communication] For the streaming of uncompressed PCM data, however, the bit decimation approach offers a straightforward mechanism for congestion control [9]. Applying the layered coding technique to the uncompressed audio stream, congested clients can subscribe to just enough channels to provide the n most significant bits of each sample, where n decreases monotonically with observed congestion. Unfortunately, the simplicity of this scheme is also ....

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Xu, A., Woszczyk, W., Settel, Z., Pennycook, B., Rowe, R., Galanter, P., Bary, J., Martin, G., Corey, J., and Cooperstock, J.R. (July-August, 2000) "Real-Time Streaming of Multichannel Audio Data over Internet." Journal of the Audio Engineering Society.


Displaced Soundscapes: A Survey of Network Systems for Music and.. - Barbosa (2003)   (1 citation)  (Correct)

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A. Xu, W. Woszczyk, Z. Settel, B. Pennycook, R. Rowe, P. Galenter, J. Bary, M. Geoff, J. Corey and J. Cooperstock. Real-Time Streaming of Multichannel Audio Data over Internet. 47[11]. 2000. Proceedings 108th Convention of the Audio Engineering Society.

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