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Tomlinson, B., M. Downie, A. Benbasat, J. Wahl, W. Stiehl. 1999. "sand:stone - Artist Statement." Leonardo Vol. 32, No. 5, p. 462-463

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Multiple Conceptions of Character-Based Interactive - Installations Bill Tomlinson (2001)   Self-citation (Tomlinson Downie)   (Correct)

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Tomlinson, B., M. Downie, A. Benbasat, J. Wahl, W. Stiehl. 1999. "sand:stone - Artist Statement." Leonardo Vol. 32, No. 5, p. 462-463


Multiple Conceptions Of Character-Based Interactive.. - Blumberg, Tomlinson.. (2001)   (1 citation)  Self-citation (Tomlinson Downie)   (Correct)

....from which to analyze characters, and thereby installations. As Seymour Papert suggests, it can be valuable to have multiple ways of knowing a topic. 9] 2. Installations Bruce Blumberg s Synthetic Characters Group at the MIT Media Lab has created several large scale interactive installations [1,2,17] in recent years and an assortment of smaller pieces that we have shown to visitors to our lab. Since many of the sections of this work will be illustrated with examples from our installations, we begin by giving a short summary of each of the pieces that we have done over the last several years. ....

....changing the entire style of their animation and interaction to reflect their emotional state. In addition, the characters in (void ) could learn the ways in which people interacted with them, and would continue to act in those ways after the participant stopped interacting. 19,20] sand:stone [17] was an interactive art installation based on the poem Ozymandias by Percy Bysshe Shelley. In this piece, people could moves stones around on a surface of sand. The positions and relationships of the stones caused changes in a projected display of an animated statue of a great king. The ....

Tomlinson, B., M. Downie, A. Benbasat, J. Wahl, W. Stiehl. 1999. "sand:stone - Artist Statement." Leonardo Vol. 32, No. 5, p. 462-463

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