| M. W. Macon et al., "Concatenation-Based MIDI-to-Singing Voice Synthesis," in 103rd Meeting of the AES. 1997, New York. |
....the general superiority of data driven approaches. 1.2. Unit Selection in Musical Synthesis Despite its promising approach and its success in speech synthesis systems, concatenative data driven methods are rarely used in musical synthesis. There are first attempts on singing voice synthesis [5], and partial applications of data driven methods to parametric synthesis, e.g. 6] Application of the approach of data driven unit selection synthesis from speech synthesis to musical sound synthesis allows a new method of high quality sound synthesis. Usual sound synthesis methods are based on ....
M. W. Macon et al., "Concatenation-Based MIDI-to-Singing Voice Synthesis," in 103rd Meeting of the AES. 1997, New York, www 3 .
....[4] in which the individual partials of the singing voice are tracked. Both of these techniques result in high quality sound, but require more bandwidth than most LPC based coders . Sinusoidal analysis synthesis has also been used as the basis for a direct synthesis system for the singing voice [5]. Physically modeled synthesis of singing [6] could conceivably be used for voice coding as well, but extraction of physical parameters of the vocal tract from an acoustic signal remains problematic. 2.2. Singing in the Structured Audio Context Vercoe et al. . 1] coined the term structured ....
M. W. Macon et al., "Concatenation-based MIDI-to-Singing Voice Synthesis, " Proc. 103 rd AES , Prepr. 4591, Sept ., 1997.
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M. W. Macon et al., "Concatenation-Based MIDI-to-Singing Voice Synthesis," in 103rd Meeting of the AES. 1997, New York.
No context found.
M. W. Macon et al., "Concatenation-Based MIDI-to-Singing Voice Synthesis," in 103rd Meeting of the AES. 1997, New York.
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