| P. R. Cook. Toward Physically-Informed Parametric Synthesis of Sound E#ects. In Proceedings of the 1999. |
....of acoustic instruments. These methods tend to use physical models of instruments, decomposing instruments into oscillating and resonating components, or describing the motion of acoustic waves 3 Diderot Forum, Vienna, 2 4 December 1999 through waveguides and dispersive junctions, e.g. see [3, 22] for a review) These models are very e#ective for synthesis, but often contain non linearities which makes parameter estimation very di#cult. They also do not generalise particularly well: a piano model would not be suited to the analysis of clarinet tones, for instance. Another aspect of ....
P. R. Cook. Towards physically-informed parametric synthesis of sound e#ects. In Proc. IEEE Workshop on Audio and Acoustics, October 1999. 2.1
....A number of simple interfaces have been written in Java3D, with the common theme of providing a user controlled animated object connected directly to the parameters of the synthesis algorithm. This work is part of the Physically Oriented Library of Interactive Sound Effects (PhOLISE) project [8]. This project uses physical and physically motivated analysis and synthesis algorithms such as modal synthesis, banded waveguides [9] and stochastic particle models [10] to provide interactive parametric models of real world sound effects. Modal synthesis is used for sound generating ....
P. Cook, "Toward physically-informed parametric synthesis of sound effects," in Proc.1999.
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P. R. Cook. Toward Physically-Informed Parametric Synthesis of Sound E#ects. In Proceedings of the 1999.
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P. R. Cook. Toward Physically-Informed Parametric Synthesis of Sound E#ects. In Proceedings of the 1999.
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P. R. Cook. Toward Physically-Informed Parametric Synthesis of Sound E#ects. In Proceedings of the 1999.
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Perry R. Cook. Towards physically-informed parametric synthesis of sound e#ects. In Proceedings of the 1999.
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