Download:
by John Fitch, Bath Ba Ay
http://echo.gaps.ssr.upm.es/costg6/bibliography/proceedings/fitch.pdf
Add To MetaCart
Abstract:
Physical modelling of musical instruments is one possible approach to digital sound synthesis techniques. By the term physical modelling, we refer to the simulation of sound production mechanism of a musical instrument, which is modelled with reference to the physics using wave-guides. One of the fundamental parameters of such a physical model is the pitch, and so pitch period estimation is one of the first tasks of any analysis of such a model. In this paper, an algorithm based on the Dyadic Wavelet Transform has been investigated for pitch detection of musical signals. The wavelet transform is simply the convolution of a signal f(t) with a dialated and translated version of a single function called the mother wavelet that has to satisfy certain requirements. There are a wide variety of possible wavelets, but not all are appropriate for pitch detection. The performance of both linear phase wavelets (Haar, Morlet, and the spline wavelet) and minimum phase wavelets (Daubechies ’ wavelets) have been investigated. The algorithm proposed here has proved to be simple, accurate, and robust to noise; it also has the potential of acceptable speed. A comparative study between this algorithm and the well-known autocorrelation function is also given. Finally, illustrative examples of different real guitar tones and other sound signals are given using the proposed algorithm. KEYWORDS Physical modeling – wavelet transform – pitch – autocorrelation function. 1.
Citations
|
1219
|
Biorthogonal bases of compactly supported wavelets
– Cohen, Daubechies, et al.
- 1992
|
|
364
|
Characterization of signals from multiscale edges
– Mallat, Zhong
- 1992
|
|
156
|
The Computer Music Tutorial
– Roads
- 1998
|
|
88
|
Physical Modeling Using Digital Waveguides
– Smith
- 1992
|
|
71
|
Zero-Crossings of a Wavelet Transform
– Mallat
- 1991
|
|
39
|
Analysis of sound patterns through wavelet transforms
– Kronland-Martinet, Morlet, et al.
- 1988
|
|
25
|
Physical Modeling of Plucked String Instruments with Application to Real-Time Sound Synthesis.” Journal of the Audio Engineering Society 44(5):331–353
– Välimäki, Huopaniemi, et al.
- 1996
|
|
24
|
Application of the wavelet transform for pitch detection of speech signals
– Kadambe, -Bartels
- 1992
|
|
16
|
Properties of the multiscale maxima and zero-crossings representations
– Berman, Baras
- 1993
|
|
10
|
Model-Based Analysis and Resynthesis of Acoustic Guitar Tones.” Master’s thesis, Report 46, Laboratory of Acoustics and Audio Signal Processing
– Tolonen
- 1998
|
|
5
|
A comparison of wavelet functions for pitch detection of signals
– Kadambe, Boudreaux-Bartels
- 1991
|
|
3
|
Virtual musical instruments—natural sound using physical models
– Välimäki, Takala
- 1996
|
|
3
|
The Continuous Wavelet Transform: A Tool for Signal Analysis and Understanding
– Sadowsky
- 1994
|
|
2
|
A Wavelet-Based Pitch Detector For Musical Signals
– Fitch, Shabana
- 1999
|
|
1
|
Plucked string models-from Karplus-strong algorithm to digital waveguides and beyond
– Karjalainen, Valimaki, et al.
- 1998
|
|
1
|
On the use of autocorrelation analysis for pitch detection
– Rabinar
- 1977
|